16 July 2008
tell your friends...
Words by Sean Moeller // Illustration by Johnnie Cluney // Sound engineering by Patrick Stolley
So experienced the young man, first, before all else that he thought he could then speak intelligently about afterwards, the great caper that is the search for love and its hanging, very much alive vines – vines that could one moment be lying dead to all those not paying close attention and the next be wrapping savagely around ankles and holding them hostage. Before he experienced any of the numerous other adult behaviors, downfalls, disappointments, advantages or good tidings, he experienced the dervish of those fickle and fleeting, convoluted matters of the heart muscle. … [Story Continues Below]
First song
Why Don't They Let Us Fall In Love (The Morning Benders) [3.15MB] [1737 downloads]
— unreleased
This is a song I’ve loved ever since I was a kid. We just couldn’t resist playing it. We usually just play it on acoustic guitars around the house. We had never played it as a band, so this is a pretty fresh take. I really dig the melancholy feel a lot of the old Spector stuff has, and this one hits me in that way pretty hard.
Second song
Crosseyed (The Morning Benders) [3.44MB] [1477 downloads]
– original version appears on Talking Through Tin Cans
This song is about the problems of a monogamous relationship. I wrote it after watching all of “Six Feet Under” in a couple weeks straight, and I think Nate and Brenda may have made it into the song a bit. I like the sound of this one. We had just finished a four-week tour and I got a bit sick on the last show. I could barely talk or sing for like three days, so I think my voice sounds a bit tired on all these songs, but I like how it sounds particularly ragged on this one. We messed around with this arrangement quite a bit because the studio version would never really translate live. This arrangement is similar to how we do it at shows. I played piano on this one instead of electric guitar, and I think we might have slowed it up a bit as a result.
Third song
I was Wrong (The Morning Benders) [3.72MB] [1474 downloads]
– original version appears on Talking Through Tin Cans
This is another one I played piano on instead of guitar. When we go into a studio (especially a studio with as many cool toys as the Daytrotter one does) we like to try and use the instruments and amps and things that they have as much as possible. It’s always more fun and memorable that way. They have a really cool sounding upright that we ended up using on all the songs. I really love piano, and we never get to use one live, so it was cool to be able to play one I love that cool farty distortion sound Joe got too… it was through an old Kalamazoo amp, I think. Yay for Daytrotter!
Fourth song
Waiting for a War (The Morning Benders) [3.18MB] [1548 downloads]
– original version appears on Talking Through Tin Cans
We like to play this one live for a quick pick me-up… to get the crowd moving. Sometimes we’ll play it three or four times in the same set to keep people happy. We used an organ to play the guitar line on here, so that’s why it sounds kind of like carnival music.
Fifth song
Excuses (The Morning Benders) [5.16MB] [1589 downloads]
— unreleased
This is the first track on our next album. It’s a song about both making love for the first time and growing old with your partner. This version is pretty stripped down, though, I think the recorded version will be pretty different. We’ll see…
They’re connected to the funny bone, the tear ducts, the fists and the feet, those matters and all at the same time – or within a very short amount of time – simultaneously and can come into the picture and create a wild smear across an otherwise unaffected person, wiping them out or into a bit of a blubberer. It was the first strong emotion that the young man found himself upset and bewildered by. Nothing’s changed since the beginning of these times, as people have been washed right into the silly silo, configured into the saps and the targets, or just simply: the stricken. There is only one way to fall into love – by doing it – but there are millions upon millions of ways to reconcile that love and to deal with that love that’s been so accidentally backed into. The Morning Benders, a sun-soaked four-piece from Berkley, Calif., home of professional protesters and more tree huggers than you can shake a stick at – not to mention all of the well-read and foul-smelling hippies with curb side manner, are the very young men that we’ve been speaking of. They are already experts – to some degrees – of love in the first degree. Perhaps you don’t remember it, but think back to the first time that you turned the key in a car’s ignition slot and the machine roared to life in front of you, or even when you were given the okay to strike a match to the red stripe of a matchbook, to light your first fire. Combine those feelings of exasperated power and multiply them by a hundred or more and it’s the way it feels to be either adored or ignored by that first girl that sways your insides, that gets them drunk on nothing more than a lingering scent or a feathery glance. The Morning Benders, led by Chris Chu of the Sondre Lerche-meets-British pop savant vocals, go sloshing through those dangerous streets of love, getting their shoes and the bottoms of their pant legs drippy with what they encounter. They are scientists in the field, witnessing all of the dilemmas and doldrums, the dry spells and the hot streaks that people get themselves bundled up into all the stinkin’ time. They see the ways that others are affected and they feel the ways that they are affected and then they attach those tendons and ligaments to make their own pennies of sense out of it. Chu sings, “I’ve seen love kick a man while he’s down,” during “I Was Wrong” and it’s a clear indication that he’s studying and bringing home in his notebook all of the little anecdotes that he can mine for inspiration in finally figuring out the skeleton key solutions to all of the sneaky problems and situations that love brings with it when it arrives unannounced. The songs on the band’s recently released Talking Through Tin Cans are romantic and dreamy, idyllic pop songs that are the new beach blanket bingo types, where a good tan, a voice to melt an armored truck, tunes that are the very aesthetic of swooning breezes and free time mean that more of that love is going to strike and strike again.
The Morning Benders Official Site
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I love these benders.
As Jon said before, one of the really good things at the moment. Surely the next big thing ;)
awesome music, message, and energy- the morning benders are always a treat to see live. it’s rare to find a band that can convey themselves so well.
My cousin dragged me to a show at the Troubadour (to see some other young guys I don’t recall the names of now) where the Morning Benders were opening – it totally made my night. They were terrific and I’ve just got do better about making these other shows they keep playing in the area before they’re too big!
does their name refer to a morning BONER? that is what i think of. i mean right?
amazing band, amazing album. haven’t stopped listening to it since i picked it up at one of the kooks shows. can’t wait to see more from these boys!
These guys were an unbilled opener for Death Cab last time they were in Kansas City. I was much impressed by them for a band that didn’t even make the billing.
they pretty much totally ripped off the beatles’ “this boy” on “excuses”, as well as like a million other songs.
love these guys. they deserve to be heard by MILLIONS.
that carnival sound to “waiting for a war” actually doesn’t sound bad at all. i like it better than the original
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