29 July 2008
tell your friends...
Words by Sean Moeller // Illustration by Johnnie Cluney // Sound engineering by Patrick Stolley
The things that we must never forget are the things that we learn when we’re swimming in booze, when the amber that curtains our eyes is clarity, when all of the painful decisions that have been made by or for us are delivered like breakfast in bed – at three in the morning. Hardly the only state that Richard Edwards finds himself in when he’s writing his music, it’s the state that produces some translucence that is befitting of government grants for the betterment of all society. These inward studies that he performs with great attention and thorough calculations suggest that when the moment is right, we will learn, the whole darkest before the dawn thing comes into play on enough occasions to have formed the famed phrase. … [Story Continues Below]
First song
My Baby (Shoots Her Mouth Off) (Margot and the Nuclear So and So's) [4.64MB] [4463 downloads]
— unreleased
I was a little worried about doing this song for Daytrotter, due to the fact that the drum sounds we achieved on the recorded version seemed a bit tough to translate. But I think it came out pretty decent. It’s one of my favorites on Animal!. I think it has ‘tude. And the best Chris drumming ever.
Second song
Love Song for a Schubas Bartender (Margot and the Nuclear So and So's) [4.64MB] [4275 downloads]
— unreleased
I wrote this in the basement at Schubas on New Years Eve. The title pretty much sums it up. This version is much more ballad-y than the version on the album, which is drum and bass-centric. But this is a nice version too. What a creepy song.
Third song
Hello, Vagina (Margot and the Nuclear So and So's) [4.35MB] [4526 downloads]
— unreleased
Originally part of a story-based album about the Heaven’s Gate cult. It feels kinda Fleetwood Mac-ish to me, which might prove that my ears don’t work. Emily has some very nice vocal moments on the album version. It was tough to get all those on this recording.
Fourth song
Broadripple is Burning (Margot and the Nuclear So and So's) [5.55MB] [4242 downloads]
— unreleased
Old song. Played it a billion times. Not that exciting for me, but it’s a nice little song.
When we’re having trouble not slurring our sentences and when we feel that the bottle is all ears and no one else is, that’s maybe when we most need a pad of paper and a writing utensil and a tape recorder. It won’t be pretty, just like the Hasselhoff hamburger video was disgustingly unpretty, but damn it if the bare-chested, world-famous television sensation didn’t learn a thing or two from the ugly episode. Edwards, the lead singer for Indianapolis band Margot & The Nuclear So and So’s, is a magnifying glass, or more so, he uses the thick end of the dark, brown bottles as all the magnifying glass he needs. He appreciates all of the luxuriance that a good buzz provides and then searches until he finds the better buzz, which usually takes him off into the territories of willful abandon and withdrawal, into the recesses of the subconscious where it’s a nudist colony for everything that he’s ever bore witness to, thought, felt or experienced. Layers of paint are thinned off, stripped bare of all their concealing color. Shrouds are lifted and then torn into shreds and what’s left in the wake of this dramatic unveiling is a priceless shivering, a shimmering ball of conclusion or the next closest thing. All of the Margot songs are epics and that might mean that Edwards’ life is epic – epic in its depiction and execution, or just epic in whatever definition you’d like to use. His stories aren’t all autobiographical – as he states that he tried to write a concept album about the Heaven’s Gate cult – but it feels easy to graft the portions that are true to the bone out of the debris. All the talk of whiskey breath is his and there’s no disputing it. He has a way of presenting his life in a way that makes it feel like someone reflecting on all of the little things while sitting in a vast, high-ceilinged room – in a mansion, perhaps – with a trusted pet curled either at his feet or in his lap, depending on the variety of preferred pet. A pipe is lit and puffed at random, in thoughtful gulps while supplemented with a lonesome bottle of bourbon or brandy – the solid bottle tinking the lip of the small glass as the refill takes place. There are constant refills and there is a surplus of understanding that happens in this room that may or may not have a fireplace. These songs seem to be written during longer days than normal, when all he has is time and no where to go, as if there’s an all-day soaker of a rain dismantling an afternoon, making it impossible not to think long and hard, casting a gray sky all the way into the house. He tackles family and sad love with the same kind of electricity that have helped to make this band one of the most intriguing pop outfits on the American scene – albeit one of the slowest-moving. The band acts like a friendly storm cloud, just ready and anxious to open up and turn out the lights for a day then be on its way. Whether you like it or not, it’s always refreshing. They make it that way. When the salt hits the open wounds, Edwards gets to soothing you with faint words in your ears, letting you be gladly distracted. You wonder who’s there for him to do the same and realize that he does it all for himself with the help of man’s best foe.
Margot & The Nuclear So and So’s
Epic Records
Buy The Margot & The Nuclear So And So’s Daytrotter Sessions EP On Amazon
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Wow Sean, I don’t know where you were when genius struck you like lightning but this is the best MNSS article I’ve read in months.
Loved the article. Saw Margot on their first show of this tour in Springfield, and while admittedly not in top form, it was a thoroughly enjoyable show. That, in combination with this EP, makes me excited for their next two releases.
Mike, you seem quite naive to how the music business operates… and how this band operates. The changing of the lyrics in ‘Broadripple Is Burning’ is due to Richard Edwards being sick of singing / performing it. When you get bored with something, you re-create it to make it interesting again. I’m not sure that Epic is losing sleep over “snorting coke” needing to be changed to “huffing glue.” Also, while Epic operates under the Sony BMG’s umbrella and is considered a major label they have been signing their fair share of “indie” bands as of lately (ex: Vedera, Margot & The Nuclear So and So’s, etc.). Let’s not forget that Saddle Creek also operates under Sony BMG’s umbrella and Subpop operates under Warner Brother’s umbrella (and 49% of their stock is owned by WB). Don’t disregard a band for getting a break and finding a home on a well precedented label. Margot has fought hard to release the record they want, and it will be released. These tracks are great. Nice work to everyone involved.
Bob Dylan up there is right, a lot of artists mix up the lyrics when they play live. Never heard them before this. It’s great.
Absolutely beautiful, thank you
Snore. If this is a teaser for the next album (Tofu Democracy!), then consider mine un-preordered. It’s as if Richard is too big a star in his own mind to even sing the songs properly. the performance of broadripple is burning is embarrassing and that shuba’s bartender song is not half as clever as it pretends to be. It seems that Richard and his Drug Dealer Glom-on’s have spent so much time preparing to be the next big thing that they didn’t notice that they missed their chance two years ago when they were only ripping off 20% of the new indie bands.
Come on, man. You sure you’ve given these a fair shake? This is an acoustic performance, and a wonderfully performed one at that. By that very definition, it’s not a full band. It’s supposed to be…get this…quieter. I find the immediacy of the recording to be very engaging.
This is a great Ep. Wonderfully done, and it has very very good emotion behind it. Great job guys.
Loving Margot just keeps on paying off. Pretty damn wonderful if I do say so myself.
The song “Quiet as a mouse” isnt on here, its probably old, but its a great song. Yeah.. Im impressed with these guys.
Saw Margot last night in Cambridge. Spectacular set, too bad the crowd was so damn obnoxious!
I love the EP. I also am a fan of everything I’ve heard from Animal! and I just cant wrap my head around why so many of margot’s fans(?) attack them. I’ve heard/read a lot of people complaining about the lyric change in broadripple and don’t think its that big of a deal. I actually met Richard Emily Chris and Erik and they’re probably the nicest people I’ve ever met. Richard is so down to earth its ridiculous so Johnny boy up there needs to do a little more reading, and know what he’s talking about before he starts talking.
commenting closed for this article
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Love the band 1st off but I’m already weary of what is to come. “Huffing glue up in the bathroom??” Didn’t know that was such a huge phenomenon. How about the real lyric? I’m guessing this was a label idea, and let’s face it you guys kind of skipped a phase of your career. I have a feeling a better home would have been SubPop, Merge, or Saddle Creek for at least an album. A major label talent for sure, but the last time I saw them live their manager thought it was more important to have a light guy than a sound guy…hope the album isnt ruined by the label as this line in broadripple hints at.