Corrina Repp review
Corrina Repp: Ten Deaths And Many More Chances
28 January 2007
tell your friends...
Words by Aaron Sitze // Illustration by Sonia Kreitzer
I have this dream where I’m treading water in the ocean, and it’s like as long as I can tread water, I’ll stay alive. So I conserve my energy, quiet my mind, feel the profound momentum of the waves shifting me around, and tread, tread, tread. I had that dream again last night, falling asleep to The Absent and the Distant.
Much of Corrina Repp’s album is instrumentally sparse – a single, uncomplicated piano or guitar playing simple, pleasing chords. Her voice carries the songs, somber and deliberate and beautiful. This straightforward orchestration and the heaviness of her voice draws an easy line to Cat Power, but it’s not that simple. There’s a darkness in Absent that is, well, absent in Cat Power. It’s even something different than “darkness.”
I can explain this way: When I was eight, I woke up in the middle of the night, calm, expectant, skin electric. In the corner of my room, near the window, I could see the back of a woman in a long nightgown, partly obscured by the curtains. Her hair hung halfway down her back, straight and flat and dark. She turned her head toward me, not out of shock or surprise, but slowly, like she wasn’t sure of what she’d find. And I just watched her turn her head and look at me. Then I closed my eyes again.
This is all by way of saying: I think this album is haunted.
When there is accompaniment, it is strange and fittingly ambient. “I’ll Walk You Out” has a rhythm track that sounds like the sad memory of a backyard fireworks show. “Afloat” has dramatic, delayed, “Chariots of Fire” drums. But the most common accompaniment is Repp herself, echoed out and otherworldly, floating ghostly choruses.
The sum of these trinkets and tinklings over Repp’s dark and hollow-boned voice makes for a strange soundtrack, one in which the main character drowns 10 different times, waking up from the same dream sopping wet and going through life only to drown before the sun sets. And you have to wonder: will they wake up from this one? Think of The Absent and the Distant as riding the line between death and dreams, treading the infinite water that contains them both.
If you enjoyed this article, you might also enjoy:
- The Whitest Man Alive review: The Whitest Boy Alive: The Other Pale Force Throws Pepper And Sugar Into The Meal
- Clipse live review: Clipse: For Love
- : Casiotone For The Painfully Alone: A Crystaline Uneasiness On A Winter's Night
- Adam Green: Adam Green: Jacket Full Of Danger (Danger Is Code For Every Drug In The World)
- Best of 2007 -- Dr. Dog (We All Belong): Daytrotter's Best 15 Albums of 2007: No. 11 Dr. Dog's "We All Belong"
- Animal Collective review: Animal Collective: Attaining to Nothing and Attaining Everything
- Besnard Lakes review: The Besnard Lakes: Spies And Reverb -- An Afternoon With The Dark Horse
- Jana Hunter review: Jana Hunter: More Spooky Than Freak, We're Enraptured
- The Teeth review: The Teeth: The Dentist Is Inter-Planetary
- Best of 2007 The Teeth's "You're My Lover Now": Daytrotter's Best 15 Albums of 2007: No. 12 The Teeth (You're My Lover Now)
commenting closed for this article
